Three elements of theatrical creation are intertwined in the performance: the organic, narrative movement imbued with humour and impishness, different props and the way they are manipulatied and toyed with, and mid-air choreographies with ropes, bands and other props. By fusing these three segments dancers wish to create a symbiosis that radiates sensual images of realism mingled with surrealism and dream-like fiction. Live acoustic music renders the performance especially charming, successfully complementing and upgrading what goes on on stage.

Review excerpts:

(…) Short Cuts consists of the most memorable sequences and individual elements of Fourklor's opus. These parts transcend a mere repetition of what has already been performed, offering a new interpretation …
(…) A less-than-an-hour long »collection of short stories« is thoughtfully structured, and is effective even if the audience is unaware of it being a compilation of features of the ten performances. And this is why the project can be regarded as both an imaginative collage as well as  the eleventh performance.
Mojca Kumerdej

Daliborka Podboj, Večer daily
(…) Pleasant sounds of music, visitors comfortably seated in the soft round cushions on the floor, and the quick service all contribute to the uncommonly leisurly atmosphere even before the actual start of the performance …
(…) Short Cuts  is a performance which gave obvious pleasure to the performers and pure entertainment to the audience …

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