WILDERJEVI NASVETI SCENARISTOM
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Občinstvo je nestanovitno.
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Zgrabite jih za vrat in jih več ne izpustite.
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Glavni junak mora imeti jasen cilj.
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Vedite, kam ste namenjeni.
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Bolj spretni in prefinjeni ste v skrivanju pripovednih nastavkov, boljši
avtor ste..
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Če imate težave z zadnjim delom, je vzrok v prvem delu.
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Lubitschev nasvet: Naj občinstvo samo sešteje dve in dve. Ljubili vas bodo
za zmerom.
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Kadar pripovedujete čez sliko, pazite, da ne razlagate tistega, kar občinstvo
vidi. Naj glas dodaja k videnemu.
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Dogodek, ki se zgodi ob koncu drugega dela filma, sproži njegov konec.
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Tretji del filma mora stopnjevati, stopnjevati, stopnjevati ritem in dogajanje
do zadnjega dogodka in potem -
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— To je to. Ne zavlačujte.
WlLDER'S TlPS FOR WRITERS
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The audience is fickle.
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Grab 'em by the throat and never let 'em go.
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Develop a clean line of action for your leading character.
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Know where you're going.
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The more subtle and elegant you are in hiding your plot points, the better
you are as a writer.
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If you have a problem with the third act, the real problem is in the first
act.
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A tip from Lubitsch: Let the audience add up two plus two. They'll love
you forever.
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In doing voice-overs, be careful not to describe what the audience already
sees. Add to what they are seeing.
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The event that occurs at the second-act curtain triggers the end of the
movie.
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The third act must build, build, build in tempo and action until the last
event, and then-
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— that's it. Don't hang around.