R O T A S
Sreco Dragan
Digitalno generiran model nerealiziranega
nacrta arhitekta Jozeta Plecnika iz leta
1947/48, se vpise v spomin kljucnih tock
duhovne geometrije Ljubljane.
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The digitally generated model of non-
inplemented design by architect Joze Plecnik
from 1947/48 imprints itself on the memory of
key points in the spiritual geometry of
Ljubljana.
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Na formalni ravni povezuje projekt dobo ocesa,
pogleda in podobe (voyant-voyeur-voyage) kot
mozen preboj horizonta realne in virtualne
slepote.
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On the formal level, the project connects the
time of the eye, view and image (voyant-
voyeur-voyage) as a possible penetration
trough the horizon of real and virtual
blindness.
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Na simbolni ravni se manifestira doloceno
stanje duha ob koncu drugega tisocletja, ki je
prepoznavno v globokem osebnem obcutenju
melanholije - dozivljajskih in vedenjskih re-
aktivnih pripravljenosti na grozote blizine
vojne.
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On the symbolic level, a certain state of the
spirit is manifested at the end of the second
millenium, which can be recognised in the
profound personal feeling of melancholy-as
experience and behaviour-and reactivated
alertness to the horrors of the proximity of
war.
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Projekt 'ROTAS' dobi s postavitvijo v galerijo
status interaktivne telekineticne instalacije,
v kateri vmesniki za 3D okolja, racunalnisko
vodena platforma z TV zaslonom (telerobot), ki
ji sledi gledalec v realnem casu, gradijo
ikonske slike, oblike stopnjevane resnicnosti
(augmented reality) z virtualno realnostjo.
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The project 'ROTAS' is cyberenvironment in a
space of moving Robot animation and simulation
interactive installation.
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Video 'ROTAS' je posvecen arhitektu Jozetu
Plecniku in Warchitecture-Sarajevo.
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The video is dedicated to the architect Joze
Plecnik and Warchitecture-Sarajevo.
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'V svetu brez melanholije ni prostora za
glasbo.'
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In a world without melancholy there would be
no place for music.
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'Danes vam govorim legendo o Babilonskem
stolpu.'
Roke, ki so gradile Babilon niso poznale sanj,
iz katerih so se rodile.'
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'Today, I am telling to you the legend of the
Tower of Babel'.
The hands that built Babel knew nothing of the
dream of which it was born.'
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Posnetek iz filma 'Metropolis' Fritza Langa,
1926.
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Frame from Fritz Lang’s movie, 1926.
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Torinski prt, fotograf Giuseppe Enrrie, 1931.
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The Turin’s cloth, from the original black
and white plate of exclusive official
photographs taken by Giuseppe Enrrie in 1931.
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Political correctness - gibane za pravicno
ovrednotenje po katerem Kristus uci zdravo in
posteno zivljenje kot resitev iz neznosnih
tezav, ne pa darilno smrt.
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Political correctness.
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Nacrt 'slovenski parlament' arhitekta Jozeta
Plecnika.
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Plecnik’s most important works after 2nd world
war is the design of the Slovene parliament.
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TELEPOLIS - AKROPOLIS - NEKROPOLIS
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TELEPOLIS - AKROPOLIS - NEKROPOLIS
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Renesancni ucitelj skrivnosti geometrije,
menih Luka Pacioli.
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Fra luca Pacioli, the great Renaissance
teacher of sacred geometry.
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Kiborgovo oko
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The Cyborg Eye.
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Duns Scotus (umrl 1308) je prvi uporabil
termin 'virtual' za premostitev razlike med
formalno poenoteno realnostjo (ki jo definira
nasa konceptualna zaznava verjetnosti) in naso
razprseno iskusnjo.
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The concept of virtuality dates back to a
connection coined in the Middle Ages by the
logician Duns Scotus (died in 1308). Scotus
used the term 'virtual' in order to bridge the
gap between the formally unified reality as
defined by our conceptual perceptive
expectations and our diffuse experiences.
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