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Bodyscope
2012, video projection (2'50 loop), print on aluminum/ video projekcija (2'50 loop), tisk na aluminij; dim: 150 x 200 cm
 play video (avi)
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Fibertract Kaleidoscope / Traktografski kaleidoskop
2012, video projection, print on plexiglass/ video projekcija, tisk na pleksi steklo; dim: 100 x 138 cm (x 2)
play video (avi)
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Vanitas - Self-portrait / Vanitas - avtoportret
2012, video loop 1,54'
sound/zvok: Scanner - Robin Rimbaud
special effects/ posebni efekti: Sunčana Kuljiš
play video (mov)
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Self-portrait - Camera Oralis / Avtoportret - camera oralis
2012, digital print on plexi-glass; variable dimensions/ digitalni tisk na pleksi steklo; različne dimenzije
collaboration/sodelovanje: Uroš Abram
The series of photographs was produced by a particular form of camera obscura created by the artist's mouth. Technically images are based on the use of a small piece of photosensitive paper installed in the mouth with the aperture located between her lips: the projection of light 'draws' an outline of the body observed and the exterior body is displaced in its own interior. However, the shape of the body, resulting in such an analogous process as an imprint of light, is not the only element determining the image; it occurs via a mixture of other types of imprints produced by the body itself - fingers, saliva, tongue, teeth, etc. The resulting 'visceral' self-portrait is permeated by corporeality and does not singularly 'represent' the bodily.
Serija fotografij je nastala s posebno obliko camere obscure, ki jo je avtorica ustvarila z usti. Tehnično gre za uporabo majhnega koščka fotosenzibilnega papirja vstavljenega na dno ustne votline in zaslonke med ustnicami: drobna projekcija svetlobe izriše podobo opazovanega dela telesa na dnu ustne votline, telesna zunanjost pa se projicirana znajde v notranjosti. Oblika telesa, ki nastane na povsem analogen način odtisa svetlobe ni edini dejavnik, ki določa podobo, saj ta vključuje vrsto drugih odtisov lastnega telesa - prstov, sline, jezika ali zob. Tako nastal 'visceralen' avtoportret je prežet s telesnostjo in ne prikazuje le telesnega.
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Fractal / Fraktal
2012, mirror - glass (dim: 120 x 80 cm), light projection and reflection/ ogledalo - steklo (dim: 120 x 80 cm), svetlobna projekcija in odsev
The light work Fractal is part in a series of works dealing with the idea of the 'transparent body'. Formally the work is based on a radiological image of the brain, the use of light sensitive materials and the integration of non-material phenomena such as light projections and reflections. The diffracted image shows the branching of blood vessels and also, because of the vertical installment, resembles the structure of the pulmonary bronchi. The fractal structure of the corporal organ maps the invisible geometry of the body, while the light dematerializing the image suggests the impermanent and fragile essence of 'physical', whether organic or artificial.
Svetlobni objekt Fraktal je nastal v seriji del, ki se ukvarjajo z idejo 'transparentnega telesa'. Formalno temelji na radiološkem posnetku možganov, uporabi svetlobno občutljivih materialov ter vključevanju nematerialnih svetlobnih pojavov kot so projekcije in refleksije. Razlomljena podoba prikazuje razvejitev možganskega ožilja in hkrati, zaradi postavitve, spominja na zgradbo pljučnih bronhijev. Fraktalno urejena struktura telesnega organa izriše nevidno geometrijo telesa, medtem ko svetloba, ki podobo dematerializira ponovno govori o minljivi in krhki esenci 'telesnega', najsi je to umetno ali organsko.
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Kaleidoscopic Gaze / Kalejdoskopski pogled
2010, video projection onto an image on a mirror (video loop 6'); two mirrors (90 x 180 cm; 90 x 110 cm), foil covering, projection and reflected light: variable dimensions/ videoprojekcija (video loop 6') na zrcalno sliko; dve zrcali (90 x 180 cm; 90 x 110 cm), prekrivna folija (digitalni izrez), projekcija in svetlobni odsev: različne dimenzije
sound composition/ zvok: Scanner - Robin Rimbaud
play video (mov)
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Spiral Floating/ Spiralno lebdenje
2010, video projection onto a semitransparent screen (video loop 6'); two Plexiglass screens (110 x 130 cm), foil covering, projection and reflected light: variable dimensions/ videoprojekcija (video loop 6') na delno transparentni zaslon; dva zaslona iz pleksi stekla (110 x 130 cm), prekrivna folija (digitalni izrez), projekcija in svetlobni odsev: različne dimenzije
sound composition/ zvok: Scanner - Robin Rimbaud
play video (mov)
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Butterfly / Metulj
2010, video projection onto an image on a mirror (video loop 3'); mirror (110 x 110 cm), foil covering, projection and reflected light: variable dimensions/ videoprojekcija (video loop 3') na zrcalno sliko; zrcalo (110 x 110 cm), prekrivna folija, projekcija in svetlobni odsev: različne dimenzije
sound composition/ zvok: Scanner - Robin Rimbaud
play video (mov)
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Light Crystalloid/ Svetlobni kristaloid
2008, LED diode, plexi-glass, aluminum frame/ LED diode, pleksi steklo, aluminijev okvir 80x250 cm
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Luminous
2008 (Transmediale 08)
Plexi glass, reflective folio, resin, light reflection
Variable dimensions / različne dimenzije
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Pulsation / Pulzija
2007, Video loop 11’, video projection on aluminium support, 150 x 120cm
Sound: Damir Šimunovič (cro)
play video (mov)
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Pulsation / Pulzija
2007, Video loop 9’, video projection on aluminium support, 120 x 150cm
Sound: Damir Šimunovič (cro)
play video (mov)
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Levitation / Levitacija
2007, Plexi glass, reflective folio, resin, light reflection
Variable dimensions / različne dimenzije
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Lumina
2007, Plexi glass, resin, light reflection, light projection, 200 x 140 x 100cm
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Cross-sections / Preseki
2007, Plexi glass, aluminium plate, resin, light reflection, light projection, 200 x 140 x 100cm
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Reflective transitorness / Odsevajoča prehodnost
2006, kinetic light installation / kinetična svetlobna instalacija, variable dimensions / različne dimenzije; reflective folio, artificial resin, rotating motor, lights / pleksi steklo, odsevna folija, umetna smola, vrtilni motor, luči
video documentation (mov)
A transparent picture is suspended on a rotating engine installed on the ceiling and is illuminated by two halogen projectors. It slowly rotates and projects moving, crystal-like light rays and veiled reflections. The fractal form on the plate is a computer-modified picture, made by an X-ray scan of the author's brains. The reproduction is two-sided, made of two types of material – one that reflects like a mirror, and another that enlarges like a magnifying lens, thus creating a condensation of light into a crystalline projection. The kinetic multilayered spatial structure creates a virtual picture of membranous veils of light, which in the dissolving borders between the exterior and the interior, the projected and the reflected, metaphorically speaks about transitoriness, non-determination and the multidimensional spatial/time essence of every system, sensible (natural or artificial) as well as intelligible.
Na rotirajočem stropnem motorju visi transparentna slika, ki osvetljena z dvema halogenskima projektorjema, v počasnem krožnem gibanju projecira v prostor prav tako gibljive, kristalom podobne svetlobne projekcije in koprenaste odseve. Fraktalna oblika na plošči je računalniško generirana podoba, nastala na osnovi magnetno resonančnega posnetka avtoričinih možganov, reproducirana pa je dvostransko, obenem z materialom, ki zrcalno odseva in drugim, ki preseva z učinkom ‘lupe‘ in ustvari kondenzacijo svetlobe v kristalinične projekcije. Kinetična večplastna prostorska struktura ustvarja virtualno podobo svetlobnih membranskih tančic, ki v disoluciji mej zunanjega in notranjega, presevajočega in odsevajočega metaforično govori o prehodu, nedoločenosti in prostorsko časovni večdimenzionalnosti vsakega sistema, tako čutnega (naravnega ali umetnega), kot inteligibilnega.
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Reflective transitorness / Odsevajoča prehodnost
2006, detail
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Cerebral landscapes (reflection) / Možganske pokrajine (refleksija)
2006, kinetic light installation / kinetična svetlobna instalacija, variable dimensions / različne dimenzije; bended plexi glass, light projection, electronic light modulator / upognjeno pleksi steklo, svetlobna projekcija, elektronski svetlobni modulator
video documentation (mov)
Four light projectors illuminate a bent piece of plexiglass positioned horizontally on the floor, which reflects a multi-layered image: an organic-like structure on the wall of a triangle-shaped space. The light is manipulated with an electronic modulator, which regulates the intensity and the speed of light projection, thus giving the impression of a slow, wave-like movement of a three-dimensional porous structure. The project deals with a visualization of pulsating pre-cerebral states, mental-sensory patterns and mental energies. 'Cerebral landscapes – Reflection' can also be understood as an artistic metaphor of dichotomy, implied by the dual meaning of the word reflection, since it can denote the optic phenomenon of light reflection or a mental activity – a concentrated process of thinking.
Štirje svetlobni projektorji osvetljujejo horizontalno, na tleh ležeče upognjeno pleksi steklo, ki odseva večplastno podobo, organskim podobno strukturo na zidu trikotno oblikovanega prostora. Svetloba je manipulirana z elektronskim modulatorjem, ki regulira intenziteto in hitrost svetlobne projekcije in na ta način ustvari vtis počasnega, valujočega premikanja izrazito trodimenzionalne luknjičave strukture odseva. Projekt se ukvarja z vizualizacijo pulzirajočih cerebralnih predstanj miselno-čutnih vzorcev in mentalnih energij , ‘Možganske pokrajine - refleksija‘ pa lahko razumemo tudi kot likovno metaforo dihotomije, ki jo odpira dvojnost pomena besede refleksija, saj lahko označuje optični pojav odboja svetlobe ali pa miselno dejavnost, koncetriran, meditativen akt razmišljanja.
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Virtual vitreosity / Navidezna zasteklitev
2006, variable dimensions / različne dimenzije; digital video projection / digitalna video projekcija
play video (mov)
This kaleidoscopic rhythmic structure of a recurring pattern is not a computer-generated picture, but a video recording taken by digital camera and kaleidoscopic appliance. The infinite recurrence of one and the same element in micro- and macro-measures within the fragmental but also well-ordered kaleidoscopic structure gives an impression of a hypnotic and meditative state. The projection of simulated vitriol into an architectural window niche reminds one of the way light is used in sacral architecture, and at the same time poses the question of perception between the real and the illusory.
Kalejdoskopska ritmična struktura ponavljajočega vzorca ni računalniško generirana podoba, ampak video zapis posnet z digitalno kamero in kalejdoskopsko napravo.
Neskončne ponovitve istega v mikro in makro merilu znotraj fragmentirane, a hkrati urejene celoti kalejdoskopskega posnetka delujejo hipnotično in meditativno.
Projekcija simuliranega vitraja v arhitekturno okensko nišo apelira na uporabo svetlobe v sakralni arhitekuri, obenem pa odpira vprašanja zaznave med realnim in iluzijo.
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Crystalline diagram / Kristalni diagram
2006, 2.5 x 0.5 m; reflective folio, plexi glass / odsevna folija, pleksi steklo
A fractal-like crystalline shape made of reflective foil on plexiglass creates a diffraction of light and forms an abstract color picture of light spectrum - a rainbow on the wall perpendicular to it. The composition is a computer-aided picture showing an isolated brain vessel, which as a part of human blood system presents a natural fractal form.
Fraktalu podobna kristalinična oblika iz odsevajoče folije na pleksi steklu ustvari difrakcijo svetlobe in oblikuje abstraktno barvno podobo svetlobnega spektruma, mavrice na steni pravokotno ob njej. Osnovo kompozicije predstavlja računalniško obdelan posnetek izolirane možganske žile, ki kot del človeškega krvožilnega sistema že v osnovi predstavlja naraven fraktal.
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Introspection, video loop / Introspekcija
2006, video / radiology, magnetic resonance imaging / radiologija, magnetno-resonančni posnetek
sound composition / zvočna kompozicija: Damir Šimunović (Croatia)
play video (mov)
The brain picture taken by means of medical imaging and computer-aided technology presents a primary insight into the interior of a human skull. The movement of fluid forms is both concrete and abstract. The circular framing and the dynamics of the organic pattern create a hypnotic picture, which can be experienced as a visual equivalent to the flow of not yet articulated, abstract states of thought, unconnected meanings, fragments of memory, feelings ...
Z medicinsko tehnologijo posnet in računalniško obdelan posnetek možganov predstavlja primaren v vpogled v notranjost lastne lobanje. Gibanje prelivajočih oblik je obenem konkretno in abstraktno, krožno kadriranje in dinamika orgnaskega vzorca pa ustvarjata hipnotično podobo, ki jo lahko doživljamo tudi kot vizualni ekvivalent toku še ne artikuliranih, abstraktnih, nepovezanih miselnih pomenov, fragmentov spomina, občutkov…
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Attractions / Privlačnosti
2005/2012
video 2'
zvok/sound: Scanner-Robin Rimbaud
play video (mov)
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Principle of attraction
2005, diameter 70cm, kinetic /sound installation; plastic table, rotating magnets and metal particles
video documentation (mov)
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Attractions-Similarities / Privlačnosti/podobnosti
2005. four kinetic objects with magnets and metal particles; diameter: 12 cm/
Štirje kinetični objekti z magneti in kovinskimi delci; premer: 12 cm
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Traces / Sledi
2005. synthetic color on acrylic support. 15 pieces; dim: 20 x 20 cm each
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Crystal shade
2003, 85 x 300 cm, plexiglass, artificial epoxy resin, mirror
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Translucent membrane (version no.2)
2002, 180 x 100 cm, plexiglass, artificial epoxy resin, shadow, reflection
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Reflection
2002, 100 x 200 x 60 cm, bend plexiglass, reflected light
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Translucent Membrane - Micronature
2002, 100 X 180 cm, plexiglass, artificial resin
video documentation
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Dimension of divergence (version no.1: aquarama)
2003, 85 x 300 cm, digital video projection, plexiglass, acrylic paint
video documentation
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Vaporscape (version no.2)
2003, 180 x 100 cm, plexiglass, artificial resin
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Dimension of divergence (version no.2: smokescape)
2003, 100 x 200 cm, digital video projection, plexiglass, acrylic paint
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Incubator
2002, multimedia interactive sound/light installation
In collaboration with Tao G. Vrhovec Sambolec
play video
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Cerebral Landscapes
2002, 150 x 300 cm, Graphic color on synthetic support
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Cerebral Landscapes
2002, 100 x 200 cm, detail, Graphic color on synthetic support
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biography
