| D'ViziBulz - The Visible Division
 
  The group's interest in rhytmically moving images sprang up during the 
        conceptualisations for "BUmBUs" in 2003, 
        as we tried to represent the world of music through a synergy of the audial, 
        the tactile and especially the visual to those, who were allegedly deprived 
        of this pleasure due to hearing problems. This aim joined forces of four 
        of our drummers that began exploring double roles also as VJs in BU's 
        performances, taking turns behind the computer during the shows. VJ cHrt, 
        VJ Choki, VJ tonee and VJ Zhiva make up D'ViziBulz, a division that deems 
        a foreign culture and a primary rhythm worth becoming visible again.
 Visual materials that are being mixed live on the screen by the members 
        of the division not only offer stimulating background aesthetics but also 
        cover themes ranging from traditional life and pure nature to the urban 
        aspects of "other" continents, not forgetting to touch even 
        upon some more acute ecological or political topics. But how to take a 
        critical stance towards our own dealings with an underestimated culture 
        and its sublime communications without loosing the beat or slipping into 
        some kind of preaching through the visual narrative?
 
 Our initial investigations concentrated around how to depict, interpret 
        and subvert video material from everyday African life, it's (idiosyncratic) 
        natures and cultures and blend it with a (mixed) present experience. Recently 
        we have been exploring rather minimalist and formalist approaches to live 
        video editing, founding our sets on symbolic and formal contents of shapes, 
        colours, movements etc. as well as including live video feeds from the 
        show.
 
 Slowly "D'ViziBulz" are starting to develop their own hardware 
        setups, aesthetics, themes and genres, producing some materials from the 
        scratch, exploring new mappings between movement of the body (e. g. the 
        drumming hand) and movement of the picture. During the two years visualisations 
        manipulated live have become an inseparable part of BU's concerts and 
        events such as "BUdiseja4002"...
 
 
 >> Take a look at some of the VJ-clips, 
        frozen in electronic time..
 
 
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