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        BOBNARS UNITED - BU
 
  
 is a group of seven young drummers from all over Slovenia. For the past 
          three years they have been expressing themselves through traditional 
          afro and afro-cuban rhythms, recently the desire for the new musical 
          experience has been driving them into combining tradition with contemporary 
          sounds and multimedia, adding further traditional instruments, dancing 
          and VJing. With over 100 appearances home and abroad the collective 
          has made quite a name in the region.
For more than three years the group Bobnars United or 
          BU for short have been trying to present their love 
          towards rhythm to various publics throughout whole of Slovenia as 
          well as abroad. At the beginning the eight members of the group started 
          with the traditional afro and afro-cuban rhythms, but soon they began 
          combining these traditions with rhythms of other continents. The fusion 
          of the traditional with the contemporary began, adding new media to 
          express themselves through body, image, space and electronics.
 The west-african djembe is the basic drum in 
          the band, originaly followed with the bassline of three drums, the so 
          called sangba, dundun and kenkeni. The strong dance charge is reached 
          not only with the big african drums but also with more subtle sounds 
          of small percussions (shakers, bells, claves). Recent and most enchanting 
          contribution to the sound of the band are native instruments from other 
          continents, such as the darbuka, conga, frame drums as well as the australian 
          didgeridoo which adds a mystical vibration to it all. The more they 
          explored the world of percussion, the urge to express themselves in 
          a different and unique way became a challenge. In the recent two years 
          the music has been upgraded with dance expression and live VJing 
          thus comunicating with the audience on various levels of pictures in 
          motion and experience of movement.
 
 The first cross-genre project of the Bobnars United collective was a 
          drum-drama "BUsingye" (2002): at festivals 
          throughout Slovenia they revived the old story of love, hate, war and 
          peace without verbal communication, through rhythm, movement and screaming 
          - Shakespeare as a drummer, if you dare. Body language, dancing, VJing 
          and audience animation in the event called "BUmBUs" 
          (2003-2004) present african rhythms and culture to the deaf and hard 
          of hearing. The daring idea was warmly welcomed by the target group 
          across Slovenia as well as abroad and a project is bound to address 
          further audiences with special needs. The odissey of the rhythm-raft 
          "BUdiseja 4002" echoed the intertwining 
          of four basic elements along the Ljubljanica river and mirrored them 
          through wild vibes, fervent dancing and magical VJing on the banks of 
          the architect Plecnik.
 
 BU already played more then 100 gigs on various 
          stages and diverse occasions, among others at festivals (Rock Otocec, 
          Koupa fest, Cmakajne, LentFest, Zmaj ma mlade, Ana Desetnica, Sniff, 
          Jurjevanje, Cipkarija), in clubs all over Slovenia (K4, Ambasada Gavioli, 
          Rdeca Ostriga, Pekarna Maribor, Metelkova Ljubljana, MC Celje, KUD France 
          Prešeren), as well as charity events (Križanke). They also founded and 
          supported civil society initiatives such as Million Marijuana March, 
          Drums not Bombs, Gay Pride, NO Nato.
 
 In spring 2004 they toured Belgrade, played all over Slovenia in summer, 
          in autumn they participated in the project "La 
          nuit de Ljubljana" by Merlijn Twaalfhoven, together with other 
          musicians from the Netherlands and Slovenia they created a sinergy of 
          different genres. BU wintered in the studio preparing for the 2005 season 
          that will offer fresh repertoire and new initiatives and even more audacious 
          rhythmythical journeys: basic pulse of black africa penetrates the veil 
          of mideastern mystery, triggering the southamerican avalanche of pleasure 
          and the untamed balkans stir up from melancholy. The collective brings 
          a different yet unforgettable experience of music and multimedia, pushing 
          the primeval to the ultimate.
 
 
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